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Guest article from AuditionInside
5 Ways to Not Get the Part...
By Zachary Miller -- Auditioninside
In this article, I will look at 5 ways to send your next potential stage manager over the edge at the audition. Don’t want to get the part? Then do these 5 things and you surely will have no problem getting cut for a random “type out.” Hah!
1) Put no effort or thought into your resume, and I mean absolutely no stinking thought at all! When a stage manager glances over your resume, he or she is getting a first impression of you. Don’t ruin the impression because you hand wrote your special skills in the margin or forgot to change the name of the person you copied the resume from!
2) Audition for something that you don’t want. Guess what?! Not wanting it shows clearly, even on the best liar’s face. Stage managers don’t want their time wasted just as much as you don’t want yours wasted! If you don’t want it, don’t audition.
3) Come to an audition that you know you can’t fill the requirements for! “Hey, even though the breakdown explicitly indicates ‘10 pull-ups required at the audition,’ I’m going to go even though I can’t.” Or...”I know this is an audition for a tap solo, but maybe they will look past the fact that I don’t tap and hire me for my jazz skill.” No...No...No. Again, refer to the second bullet point, don’t waste their time!
4) Don’t follow simple directions. Doing a backflip when they asked to see a back roll doesn’t impress anyone. It just shows you SUCK at following directions and should NOT be hired.
5) Use your phone at the audition. In fact, why not just talk on your phone in the waiting room, text when they are speaking to the group, and let the phone ring when the stage manager is calling your number. They really love that! I don’t believe any extra explanation is necessary here. Don’t use your phone AT ALL!
And there you go... 5 ways to not get the part... OR, really piss off your direct boss for your next year contract. Good luck with that!
All 5 ways to throw your stage manager over the edge were collected from actual stage managers. You wouldn’t believe the stories they had! AuditionInside wants to hear from you! Have you done anything extremely dumb in an audition? Have you seen anything in an audition that really irked the stage manager? Let us know at contact@auditioninside.com!
About the Author
This article was written by Zachary Miller, the founder of www.AuditionInside.com. Zachary spent his performance career as an acrobat, performing with cirque companies around the United States. Most notably, Zachary performed alongside Debbie Gibson in Cirque Dreams Jungle Fantasy and in the Indiana Jones Epic Stunt Spectacular at Walt Disney World. After experiencing the struggle to find consistent work during his performance career, Zachary decided to give back to the artist community. AuditionInside.com is a website designed for performance artists to find auditions, access artist resources and read performance news and advice. For more articles like the one you just read, visit www.AuditionInside.com/articles.
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Every Tuesday evening in New York City, right in the heart of Broadway, around the corner from The David Letterman Show, a singers open mic takes place. No call or appointment is needed to perform in front of the mic for Gotta Sing!. Aspiring singers are welcome to come in, sign up and sing! A pianist will be provided or singers are welcome to bring their own accompanist, tracks or be self-accompanied. From Broadway to Pop to Jazz to Country to Gospel to Opera to R&B to Singer Songwriters, this open mic welcomes all styles of musical performance, talented newcomers and experienced singers are all welcome. They will have an opportunity to gain experience and exposure in a nurturing environment. Judi Jourdan and Billy Shepard, who have operated Gotta Sing! since early 1980s, have put in their time in the industry as artists, directors and producers, nurturing new talent - referring to the performers as "our singing family" - and providing essential feedback drawn from their extensive wisdom and knowledge on how the industry works, which is over 25 years worth.
And that's not all there is to this singers showcase. Selected performers from Tuesday night will be handed an opportunity to be booked as a featured singer in a future Shepard and Jourdan Showcase for half an hour taking place on a Saturday night. Lately, the showcase has been looking to pass along the opportunity for young talented singers from Performing Arts Schools in Metro New York to take advantage of this opportunity to perform on stage in an open mic night and opportunity for booking their own show. Seeking singers from LaGuardia, Performing Arts School, Professional Children's School, Frank Sinatra School, AMDA, Juilliard, etc. Regardless of this latest endeavor, the GottaSing showcase remains open to all levels that wish to share a song and showcase their talents.
From Singapore, Asia Television Forum will be conducted as a forum to buy, sell, finance, distribute and co-produce, across all platforms, making the case for Asia’s TV and Film market and how they’re changing. ATF will be co-located this year with ScreenSingapore. Together, ScreenSingapore and ATF facilitates trading possibilities through a Film and TV market, conferences, networking opportunities, and gala film premieres. MIPAcademy, produced by Reed MIDEM, will present a one-day Master Class event focused on the ‘How To’ and targeting producers and executives from across the entertainment industry who want to learn from international industry professionals.
Activities get started with a pre-market conference on December 3. An opening keynote will be delivered by Sunny Xiangyang Zhu, Chief Content Officer, Youku Tudou Inc. on "Changing the Future of TV Content..." and then will tackle other areas: "The Future of Kids' TV in Asia Pacific", "New Media Strategy - Business Model and Monetising Opportunities". And there will be the launch of ATF's first Animation Lab, a three-day matchmaking platform dedicated to Asian animation producers who seek co-production and funding opportunities.
In another Forum highlight set for December 5, the Village Roadshow Entertainment Group Asia sets up a dialogue among film industry professionals who are engaged in the development, financing, production and marketing and distribution of Chinese films for the Mainland China market and beyond. Topics covered will be project selection and script development; financing and production management; and marketing and distribution. As the Forum winds down to its last day, December 6, a Dealmaking and Distribution panel will share insights on "How to sell your entertainment properties around the world."
Receptions and parties happening during Asia Television Forum include a Taiwan Pavilion Networking Reception, UK Indies Networking Drinks and Cocktails and Sushi Party on December 4. The French Cocktail session will be held in conjunction with the Singapore Hour and the Animation Lab Networking Session on December 5, then culminating with a Red Carpet Film Premiere.
Varied events and screenings happen in December with showcase events from the New School's Media Studies division as well as student achievements in media production and scholarship. Kinoscope, a December 3 screening series sponsored by the New York City located School of Media Studies, presents a screening of genius filmmaker Akira Kurosawa's Ikuru (1952), considered by some to be the iconic director's greatest achievement. It will be introduced by Kenji Fujishima, In Review Online editor-in-chief and Slant Magazine film critic. A discussion and reception with food and beverages follows the screening. Kinoscope’s mission is to enhance the awareness and understanding of the film and filmmaking process by screening a wide variety of national and international films.
Mixed Messages is an annual exhibition of curated works of film, video, sound, and other media created by graduate students of the School of Media Studies. Selected by a panel of jurors, the projects displayed in the gallery show range from installations and web-based projects to works on paper. There is an accompanying gallery exhibition starting with the December 4 opening, then running through December 18, at the IMC Lab + Gallery, where there will also be a reception on December 6.
The Media Studies program is also holding a Ruff Cuts III screening for New School students to attend, exhibit and discuss their media works while they are still in progress. All events are free, no tickets or reservations required but seating is first-come, first-served. Marshall McLuhan's colleague, John Culkin, brought his Center for Understanding Media to The New School in 1975 and The New School began offering the Master of Arts degree in media studies, one of the first graduate programs of its kind.
Sync Summit in Hollywood is meant to be a high-level, focused networking event where music supervisors, heads of music in visual and interactive media (TV, film, video games, advertising, the internet and mobile), label executives, publishers, music libraries, composers, artists, technologists, legal, accounting, brand managers and service providers gather for two days of discussion, networking and dealmaking beginning December 4. The goals for Sync Summit are organized to produce productive networking opportunities, presenting case studies of how music is discovered and used, point out evolving business models in the music and media market as well as creative and promotional considerations.
Summit sessions will be presented as a panel or Q&A chat format determinedly set this way to encourage dialog between attendees and speakers. Speakers delivering keynotes will include: Steve Lindsey of Warner/Chappell, Terry McBride, CEO, Nettwerk Music Group, Robert Kraft, Kraftbox, Mike Knobloch, President, Film Music and Publishing, Universal Pictures, Mathew Knowles, CEO, Music World Entertainment, Russell Ziecker, Head of Television Music and A&R, Lionsgate, Lori Silfen, SVP, Music, MGM. Day one of the two day summit concludes with the Sync Summit Reception and Party.
In one such planned session a panel consisting of rights holders and music supervisors from across the globe discuss the challenges and opportunities in doing business internationally. Then there will be a conversation between top directors, producers, music supervisors, composers, labels and publishers discussing the creative, thematic and practical roles of music in film. Topics covered include the integration of music in film throughout the creative process, best practices in clearance, collaboration and placement, discovery of music for a particular project, and how much music enhances the overall message and quality of the branding and story.
BMI, along with Hope Town Harbour Lodge, presents the First Annual Combustion Music Hope Town Music Festival on Abaco Islands. Hosted by GAC’s Storme Warren, the festival which runs December 5-9 includes free performances from BMI affiliated songwriters and artists, including Jon Pardi, Dallas Davidson, Blair Daly, Kree Harrison, Native Run, Chris Farren, Ashley Gorley, Johnnie and Joe, Chris DeStefano, Rodney Clawson and Nicolle Galyon, at different venues across the island. The Combustion Music Hope Town Music Festival will raise awareness and collect proceeds benefitting the Hope Town Volunteer Fire and Rescue and Every Child Counts, an alternative education program for children with learning, developmental or physical disabilities.
Combustion Records has collaborated with a score of country musicians such as Darius Rucker, Tim McGraw, Keith Urban, Thompson Square, Dustin Lynch, Rascal Flats, Carrie Underwood, Kelly Clarkson, Martina McBride, and many others. Broadcast Music, Inc. (BMI), the largest non-profit music rights organization in the United States, represents over 600,000 country, jazz, and blues songwriters, composers, and publishers, and totals over 7.5 million works collectively.
Combustion Music first opened its doors in 2001 as an independent publishing/production company, first as a partnership with Windswept Pacific in L.A., and most recently partnering with Warner Chappell Music. Presently, as a Nashville independent publishing company, Combustion Music's successes include: 2009 GRAMMY Best Rock Song, Best Rock Performance, and Record of The Year "Use Somebody" by Kings of Leon; 2009 ASCAP Country Song of The Year "You're Gonna Miss This;" 2009 ASCAP Country Songwriter of the Year Ashley Gorley; and additional GRAMMY nominations in the following categories Song of The Year, Best Rock Album, Best Country Collaboration, Best R&B Song, Best Rock or Rap Gospel Album.
The above events are only a sample of what is fully listed. Complete details are on the "Media, Entertainment and Performing Arts Industry News and Events" page at: http://www.actorschecklist.com/news.html. The events blog also shows links to pages that are translated into ten of the most widely used international languages read over the Internet other than English. This month includes guest blogger Zachary Miller, founder of web resource AuditionInside.com with a contributed excerpt on auditioning tips. This month's picture placement is drawn from Warner Bros. Picture's The Hobbit: The Desolation of Smaug, opening December 13 in North American movie theaters. If the photo does not appear in this post please click this link to view it. In a preview of next month's events, be aware that: NMX - New Media Expo 2014 will be in Las Vegas, photo technology show, PMA International Convention And Trade Show, will also be held in Las Vegas, Florida Media Market Conference will be in Miami, London Short Film Festival, a UK-only showcase, will be in London, Asia Television Forum will happen in Singapore, culture and events fair, International Kulturborse Freiburg, happens in Freiburg, Sundance Film Festival returns to Park City, Grammy weekend in Los Angeles leads up to the 56th Annual GRAMMY Awards.
